Sunday, October 12, 2014
Maui Dimagiba October 12, 2014
Migo Fernandez
Emman Salcedo
9D
Rurouni
Kenshin: The Legend Ends
The
Legend Ends is the third film in the
Rurouni Kenshin trilogy, based on the Japanese manga series of the same name.
The entire series revolves around Kenshin Himura, a wanderer whose mission is
to protect the people of Japan to redeem himself from his sins as a former
assassin known as Battousai the Killer. The trilogy is one of the many
adaptations of the original manga, including an anime and a video game.
The
third film follows Kenshin after his defeat at the hands of the Shishio, a
heavily disfigured warrior who was originally a replacement for Battousai the assassin,
hired by Kenshin’s employers but soon becomes a madman whose goal is to take
over Japan. Kenshin is separated from his love interest Kaoru during his
climactic battle against Shishio at the end of the second movie, and ends up
diving into the ocean from Shishio’s battleship in order to escape his wrath.
At the start of The Legend Ends, Hiko Seijuro, Kenshin’s mentor and
trainer as a child, finds Kenshin washed ashore, and takes his unconscious body
to Seijuro’s home. When Kenshin wakes up, he decides that he needs to train
more in order to defeat Shishio, and asks Seijuro to teach him one final
technique, the ultimate technique that can be used against Shishio to end his
plans to conquer the country.
Visually
and aesthetically, the film is absolutely breathtaking. The set for Shishio’s
ship, which was the main battleground for the climax, presented a sometimes
claustrophobic, sometimes cramped, but always gleefully destructible
environment that was the perfect place for the film’s final battles. The visual
effects were also great, making up most of the film’s heavy but stylish
violence, from the blood oozing from a character’s wounds to the explosions
from a firing cannon. The film was also beautifully designed; no matter where
the characters were, the set they were in would always complement the scene,
whether it’s an elegant background for a solemn conversation between characters
or a small and destructible space for a violent clash. Even the costumes added
to the film’s authenticity, from Saito’s neat dark grey uniform as a Meiji
Government official to Kenshin’s graceful red and white shining “armor”.
The
story itself doesn’t fall flat in any way and actually makes for a decent set-up
for the film, but it does take the film down a familiar path of retribution and
justice without taking any groundbreaking or at least different steps along the
way. Even the characters cannot make up for it; not much is given about the
characters, and though the film gives a substantial amount of flashbacks to the
first and second movie to be able to let viewers who have not seen the first
two installments of the trilogy comprehend the story, the members of the
audience who have not heard of Rurouni Kenshin might have trouble caring for
the characters.
That being said, even with a
story that’s all too familiar and a lack of character development, the best
thing about the film, the thing that perfectly makes up for its flaws, is the
fight choreography. Though the film is filled with stylized visual effects, it
still leaves enough space for the audience to appreciate a battle between
characters. Each battle is thrilling and violently raw, from Aoshi and
Kenshin’s battle in the forest to the climactic clash of Kenshin and Shishio.
The choreography is the main centerpiece of the film for casual viewers, and it
definitely adds to the movie experience for Rurouni Kenshin fans. Though this
type of fast-paced and intricate fight sequences are common in other foreign
films such as The Raid, albeit in a modern setting, it cannot beat the
authenticity of having a samurai action sequence in a realistic 1870’s Japanese
setting.
Maui’s score: 9/10
Migo’s score: 8/10
Emman’s score: 9.5/10
Consensus: The final
installment of this fast-paced, manga-inspired trilogy is spectacular, not only
for its violent, raw, and sometimes unsettling sequences of clashing swords,
but also for its ability to be breathtakingly beautiful at the same time.
Monday, September 29, 2014
Rurouni Kenshin: Kyoto Inferno by Migo Fernandez
First things first, it’s a Japanese movie based on an anime,
so don’t expect to understand what is going on if you haven’t seen the series.
With that out of the way, let us continue with the review.
Overall, I enjoyed the movie. The main character, who was
previously a killer, decides to be a hero this time around because he has seen
what he has done wrong. However, he still fights those who pose a threat to his
friends, using a back-bladed katana to paralyze enemies instead of killing
them.
I also enjoyed the movie despite its being in Japanese; the
action scenes were pretty well done because of the great effects. The humor in
some scenes was actually funny (like when Kenshin’s friend decided to help him
fight, but with a huge blunt sword, while swearing in Japanese). Another thing is that I think the make-up was
really well done because from what I’d seen, the actors really transform into
their characters.
Wednesday, September 24, 2014
GUARDIANS OF THE GALAXY
A MOVIE REVIEW
BY
Lorenzo Vallente and Anton SobreviƱas
Directed
by: James Gunn
Starring: Chris
Pratt Zoe Saldana Dave Bautista
Vin Diesel Bradley Cooper
PLOT
SUMMARY:
The
story centers on a ragtag bunch of “heroes” from very different backgrounds:
Peter Quill, a smuggler who steals things from others for cash, Gamora, an
assassin for Thanos who seeks redemption for her past sins, Drax the Destroyer,
a warrior who is seeking revenge against Ronan the Accuser for killing his
family, Rocket, a genetically engineered raccoon who is a weapons expert, and
Groot, a tree-like humanoid who is the accomplice of Rocket. The story is quite
simple, not uncommon for a Marvel film. Peter Quill steals an orb containing an
Infinity Stone, which Ronan wants as well as it will grant him infinite power
over the galaxy. Through different circumstances, these five people meet and
form the Guardians of the Galaxy, intent to stop Ronan from going through with
his master plan. It’s all pretty standard stuff.
REVIEW
PROPER:
VALLENTE’S OPINION
As
usual, much has been said about this movie. Most, if not all of the human
population seem to love this movie, and the amazing reviews and box-office
results seem to prove this statement correct. In my humble opinion, the movie
was not all that amazing. Let’s start with the positives. The direction was
very confident and the special effects were spectacular. James Gunn was the
right choice for director as he captures the world he is bringing to life well.
He handles the action scenes very adeptly. The one that sticks to my mind the
most is the action scene between spaceships at the midway mark of the movie. It
was genuinely exciting and fantastically shot. The special effects are also
amazing, as we have come to expect from Marvel movies with gigantic budgets.
Most of the acting was great as well, save for a few underwhelming
performances.
Now to
the negatives: as stated before, not all of the acting was superb. I found some
actors to be too dry, and the glaring example is Zoe Saldana. While she has
genuine acting chops, for the most part, it seemed like she was either acting
too emotionlessly or was just genuinely bored. The dialogue also felt too
expository. I did not think that people could actually tell these lines to
other people without sounding a bit loony or dull. While the characters were
developed enough, I thought the villain was very lackluster. There was nothing
wrong with the actor’s performance. It’s just that the script does nothing but
make him sound scary without him actually doing anything that scary. He was too
one note to me.
SOBREVINAS’ OPINION:
I
disagree with my partner and think that this is an exceptionally made film. The
story, while basic, was effective. The acting by most of the actors was great,
the special effects were amazing and the humor was genuinely funny. James Gunn
really took this world and made it his own.
VALLENTE’S
RATING: 6.9/10
SOBREVINAS’
RATING: 8/10
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